The Housemaid makes up for a few hiccups with a series of sharply staged shocks, resulting in a fun and satisfying thriller, notes Mayur Sanap.
They Will Kill You is the kind of film that works perfectly fine for a casual watch, especially if you are fan of slasher genre, observes Mayur Sanap.
While season 1 and 2 had the most sizzling chemistry between the lead pair, the Bridgerton series hasn't peaked since Kate and Anthony. With Benedict and Sophie, the spark and intensity feels further subdued, observes Divya Nair.
Dabba Cartel's reluctant black comedy in the body of a crime thriller starts out interestingly enough to accomplish its Narcos: Thane aspirations, notes Sukanya Verma.
Between tons of sexual innuendo and Kapil Sharma brand of slapstick gags characterised in loud caricatures, moronic behaviour, flimsy wigs and cartoonish rhythm, Vicky Vidya Ka Woh Wala Video's jarring notions of exuberance have nothing novel to offer, groans Sukanya Verma.
Ghoomer is an efficient crowd-pleaser that puts a lump in the throat, a tear in the eyes, and a smile on the face, all at the same time, applauds Mayur Sanap.
No one can make the audience laugh like Govinda, raves Syed Firdaus Ashraf.
Some of the performances are ordinary, but even that does not affect the magic of this film, says S Saraswathi.
Sukanya Verma gives ten points on why you should watch Housefull 3.
Bhumi Pednekar, Radhika Apte, Manisha Koirala, Kiara Advani luminate Netflix's Lust Stories, notes Sukanya Verma.
Hindi cinema witnessed unique facets of womanhood, her complexities and morality this year.
There was a delay in sowing of kharif onion because of late arrival of monsoon and later floods in many states damaged the crop.
With Joji, Dileesh Pothan has found a way, once more, to use everything he has learnt to further push the boundaries of his art, observes Sreehari Nair.
